About 7 minutes into co-writer/director Noah Baumbach's (The Squid and the Whale; co-writer of a couple Wes Anderson flicks) Frances Ha, I turned to my girlfriend and said, "This is like the pilot for the new HBO series, Girl," referencing the ridiculous Lena Dunham's oddly watchable series Girls, which is about a quartet of self-absorbed millennial ninnies living in Brooklyn. Unlike that show's multiple story lines, Frances Ha (the name is explained in the final shot of the movie) follows co-writer Greta Gerwig's titular character, a 27-year-old apprentice dancer, as she meanders through life after her bestie decides to move in with her boyfriend, leaving Frances struggling to make ends meet.
With addresses flashed onscreen as title cards, she bounces from place to place, having arch discount Woody Allen-esque conversations about nothing, managing to offend many people and basically being an unrealistic twit lacking self-knowledge until the end when she suddenly seems to grow up a bit, though after 80 minutes of self-defeating randomness - she takes a weekend trip to Paris on a credit card she got in the mail and does nothing much but accumulate debt - for her to suddenly clue up felt like a reel of transition got cut.
Shot in Manhattan-wannabe black & white, it's not that Frances Ha is a terrible film as much as a loose sequence of vignettes about a not-particularly-compelling protagonist as she copes with impulse control lack. It's unavoidable to compare to Girls because as lame as the the girls are, Dunham somehow manages to make some cutting observations about her characters - especially hers, who is the most reprehensible of them all - though I'm not sure if that's intentional or if she somehow thinks she's writing them as "deep" and it comes off as "look how vacuous they are." I never really cared about Frances' fate because she didn't seem to have the self-knowledge to worry either. Maybe that was the point, but why should anyone spend time with aimless people for entertainment. This smacks of NYC self-importance. No one cares west of the Hudson, folks.
Miscellaneous observations: The iconic pose on the poster above? Never happens in the movie. The uncharacteristically awful cover on the Criterion release (linked below) is a frame grab from the film, but is pretty bad. Baumbach apparently left his wife, Jennifer Jason-Leigh, for Gerwig. Not trading up, buddy. Her plane Jane bestie is played by Mickey Sumner, Sting's daughter, who was the doomed hooker Katja in Low Winter Sun and looked nothing like her here.
Score: 4/10. Skip it.