Unfortunately, once again I managed to snag a reader who didn't know how to read, resulting in hair-tearing feedback as they were so busy missing the point that they probably forgot to DVR the Two and a Half Men marathon that was on. Let's check this twaddle out:
Structure: 24I defy anyone with a working knowledge of the English language to read my scene and tell me that it was ambiguous or needed more obvious conflict!
"There is some interesting use of subtext, and this is a great subject for these types of characters to address. However, this is more of a one-sided conversation that might work better with a less ambiguous conclusion and more obvious conflict. It all comes off very causal, and there is nothing at stake so the conflict is minimal."
My greatest fear was that unless I hammered all the subtext with underline and italics and a Post-It note explaining everything, it'd get missed by the sub-literate wannabes making a few bucks reading these. My greatest mistake was assuming qualified people would judge this charade. My bad. Dumb me.
The next round is this weekend and I'm going to look at the scene prompt and think about doing what I did last year. Heh.